"On their follow up to a gold-selling debut, The Lords of the Underground unveil crisper, more disciplined voices and flows. Last time around, on Here Come The Lords, they seemed to be trying to appease the 'grimy' or Das EFX contingent, and got over on the strength of a collection of solid Marley Marl tracks. For Keepers..., they delete some of their more non-accessible attributes and concentrate on streamlining their image. Some of the songs sound like album filler, but ... are in the minority. "Ready Or Not" combines a gritty Old School feel with a seductive jazz piano that's just right for a night ride. "Tic Toc," with three-chord vibes, a relaxed swing beat and a nifty Slick Rick sample, swings like a pendulum. For platinum-selling poseurs, adequate disses; for impetuous newjacks, a short pre-deal biography that emphasizes the hardships of their hungry demo-tape days." Check out the video to Lords Of The Underground's gem, "What I'm After," cont'd below...
"The superior "Steam From Da Knot" and "What I'm After" both offer relentless beats, atmospheric jazz fusions and surgically-precise scratches. For "Special Guest," they dust off James Brown grunts, add reverb and bounce them all over instantly enjoyable "Top Billin"-like beats. The album's surprise, "Faith," is as gospel as any hardcore group maintaining street credibility can be. Over the smooth riff used on Mic Geronimo's "Real," the Lords offer praise to their deity: "I place all my faith in God cause God'll never leave me... believe me" ... While a bit uneven on side two, and more than a little trendy, Keepers Of The Funk does manage to avoid the sophomore jinx. It brings a handful of addictive grooves..." - The Source, December 1994 ... You can save a full copy of the review below...