"Buhloone Mindstate is the third studio album by American Hip Hop group De La Soul, released on September 21, 1993. Buhloone Mindstate, delivered a jazzier palette than their two previous albums and has ended up an unduly underrated gem in not only De La’s catalog, but in the story of ‘90s rap in general. It’s soulful, features biting critiques of other rap music of the time and includes collaborations with jazz greats like Maceo Parker. Buhloone Mindstate is a testament to the lyrical greatness and vocal interplay of Posdnuos, Dave and Maseo and no self-respecting rap fan’s collection is complete without it. "Musically, Buhloone Mindstate raises the stakes; it gets to something rap seldom achieves — a truly gorgeous groove." - Rolling Stone's Paul Evans (Updated)
"...My file is clean, I mean my mind is clear when I transmit
I am the man-ner of the family cuz the pants fit
I want to let forensics prove, that I can mends Groove
Wit the thread from needle outta hay, I wanna say
Salutations to the nation of the Nubians
We bout to place you in that 3 Feet of stew again..."
If you're curious what you might have been listening to on this date in 1994, DJ Stickem gives us a helping hand with his That's That Shit mix tape from August 30, 1994. The mix tape includes classic cuts from A Tribe Called Quest, The Fugees, Wu-Tang Clan, Rayvon, Mad Lion, The Notorious B.I.G., Da Youngsta's, Smif-N-Wessun, Gravediggaz, Nas, Kurious, Mic Geronimo, O.C., Craig Mack, The Troubleneck Brothers, Organized Konfusion, Lords of the Underground, Big Daddy Kane, and more. 25 years later, this tape will transport you back to days of going nowhere without your walkman!
"For us, it's more than just a passion - it's self-therapy," says MC Vast Aire about the rhymes he writes with Vordul Mega, the other half of Canibal Ox. The new-school hip-hop duo formed at New York's Washington Irving High School around 1992, when the two Harlemites bonded over a shared love of rhymes and visual art: "We were definitely artists and poets when we met," Vast recalls. "We were doing comic books, we were doing graffiti." They freestyled at talent shows and open mics, and eventually found a fan in Company Flow's El-P, who produced their first full-length, The Cold Vein, and released it on his Def Jux imprint. "Your confidence gets up when other musicians you respect wanna do music with you," Vast Aire says. "That's what underground hip-hop is about." Cannibal Ox's music depicts an urban landscape wavering between beauty and decay, past and present, punk and funk, with fractured melodies, futuristic effects and illusory samples that create an Enter The Wu-Tang-like cinematic quality. And Vast and Vordul's rhymes seamlessly mix street roughness with introspection. On "Stress Rap," Vordul punctuates, "Walkin' through these odd days / Watchin' every snake breathin' / Ready to deface the heathen at night / I'm like just tryin' to reshape the meaning of life." "We don't mind goin' full blast," Vast asserts. "We're gonna be honest and we're gonna be highly creative." - CMJ New Music Monthly, August 2001. As a bonus, check out this 3-part series called "The Making of The Cold Vein," which was uploaded to their YT page...
Oh, and full feature in CMJ is available below if you'd like a copy...
"Greetings ... I hope this finds you healthy, loving, and thriving! I just wanted to let you know that Beautiful Resistance, my first album in 13+ years, was released today. This project is all independent so the support of the community in spreading the message will be the key to getting the word out. If you dig it, which I hope you do, please spread the word and links below. I thank you for your love and support over the years. I start my second year at UC Berkeley on Thursday so this email is the only one I will send about this lol. Please forgive me in advance if you write me back and it takes a while to respond. Although I am putting out this album, gaining knowledge and tools to be of greater service to the children of the world remains my top priority." - Mystic // Stream it below.
"If you want to know where underground New York hip-hop is headed next, drop a TV set in the sewer. Question: where's the connection? Answer: Das EFX, the new two man crew consisting of Krazy Drayz from Jersey and the Books in reverse (Skoob) from Brooklyn. The sludge funk beats ooze out the sewer vibes while Drayz and Books kick stiggedy stuttering Porky Pig ghetto phonetics. The first MC that might come to mind when you hear Das EFX is probably Busta Rhymes because of the zany concepts, but their style doesn't stop there. They can get quick like Treach or slow it down like EPMD. Not only have they innovated a new rhyme flow that expands on all these styles, but they have brought back fun filled hip-hop. Lyrics are packed with random, off-the-wall punch lines from TV sitcoms and commercials like "that's pret-ty sneak sis" from the Connect Four commercial, and "Sit UBU sit." It seems like these brothers get most of their lyrical inspiration from blunted late nights in front of the TV set." A VHS video released with the album is below... (Updated).
"The tracks are consistently fat throughout the album. All production was done by the artists and overseen by EPMD ("diggedy down with the Hit Squad, Eye!"). Nothing too complex here, just a solid funky bottom is enough for Books and Drayz to get buck wild all over the tracks. Their sound is best characterized by two of the fattest beats of all time: the beat from Kane's "Ain't No Half Steppin" (used three times on the album) and the beat used on Organized Konfusion's "Who Stole My Last Piece of CHicken" (used twice). Their lyrical topics never stray too far away from raw freestyle rhymes, but the style itself will keep you listening. The cut that really stands out as something is "They Want EFX," which happens to be their debut single. The track is a just a simple loop from the Black Caesar soundtrack with an ill guitar lick that you might recognize from Lord Finesse's first album. But the second the rhymes come in, you'll know they're on some 'ole next shit."
In 1997, Company Flow, The Juggaknots and J-Treds joined forces to become The Indelible MCs. What we have here is footage from their Fat Beats NYC in-store for the release of "The Fire In Which You Burn" (Official/Rawkus). Watch Breeze Brewin', J-Treds, El-P and Bigg Jus rip the mic (one mic at that) as they perform "Fire" while Mr. Len aka Space Ghost spins the instrumentals. Then get ready for some bonus rounds with additional footage from some of the aforementioned along with Queen Herawin, Wordsworth and ILL BILL. Shout out to Pumpkinhead, A.L. Skills, Rok One and Max Glazer who also rocked earlier that day while we were all waiting for J-Treds' late ass to show up. - DJ Eclipse. Enjoy more rare footage from Fat Beats NYC in the video below... Thanks to DJ Eclipse.
"In 1998 the divide within the rap game was at its most glaring. On one side of the stage stood the jiggy, “shiny suit era” mainstream rappers, with CD sales on their mind, expensive tastes, and a penchant for fly cars, clothes, money, cash and hoes. At the other end of the stage was the underground, “backpack”, independent scene, where rappers and crews still made time for college radio, performed small venue shows, and aimed more for putting out records on vinyl than for selling CDs in stores. A strange state of affairs was that this was a year where the dichotomy of Hip Hop was at its furthest split. And then an album dropped and something happened. The deep chasm between the mainstream and the underground was filled, but not by much. Yesterday marked the fourteenth anniversary of Black Star’s debut album. It was a higly anticipated release celebrated and critically acclaimed album immediately from the moment it dropped. It gave a celebrity face to the indy movement that was going on, and did it’s best to bridge the gaps between the polar-opposite movements that were co-existing inside of Hip Hop’s genre. Mos Def & Talib Kweli Are Black Star, was the second full-length album on Rawkus Records and was the epicenter for the NYC underground movement." - UpNorthTrips (Originally released on August 27, 2012). Listen to it below...
Debonair P is a Melbourne-based DJ, producer, engineer and label owner (Gentleman's Relief Records). He put together a nice blend of underground hip-hop tracks from the 90s, cycling through dozens of tracks in around 60 minutes. You'll hear joints from O.C., Xperado, Cella Dwellas, Juggaknots, Teflon, AZ, All City, Mic Geronimo, Thrust, Ran Reed, Basement Khemists, Nick Wiz, Pete Rock, IG Off & Hazardous, AK Skills, World Renown, Fat Joe, Organized Konfusion, Grandaddy I.U., Masta Ace, Chubb Rock, Shortie No Mass, and a lot more. Listen to Debonair P's mixtape below...
"The funny thing about New York City skateboard company Zoo York is that it almost never happened at all. Rodney Smith, Eli Gesner and Adam Schatz started the business in 1993 after Smith's original company, SHUT, underwent a costly legal battle over trademark infringement and was forced to close down. Four years later? Zoo York had established itself as the first major East Coast skateboard company, thanks to the successful incorporation of graffiti and hip hop culture in their designs. Released in 1997, The Zoo York Mixtape represents the crew at its finest. One of the most important documents from that period, it’s an hour-long video containing skate footage from team members like Harold Hunter, Peter Bici and Jeff Pang and freestyle footage of Busta Rhymes, Fat Joe, Ghostface Killah and Method Man." - Red Bull Music Academy. Watch the video below...
"Make room for three of L.A.'s dopest rappers, Tha Alkaholiks! They will poison you with their deep liquid hip-hop beats and their hardcore drunk lyrical skills - a chaser is not needed for this trio. RCA/Loud Records brings you J-Ro (James Robinson), 23, who raps and writes; Tash (Rico Smith), 22, who also raps and writes; and E-Swift (Eric Brooks), 23, who raps, writes, flexes his skills on the tables ... Along with all this talent, E-Swift produced "21 and Over" as well as other projects including the St. Ides commercials. This crew met in Los Angels and with eight years of experience between them, began putting their beats and rhymes together. Just pull out your latest King Tee album ("The Triflin' Album") and see for yourself. Tha Alkaholiks are featured on the hit single, "Got It Bad Ya'll." This was their first commercial release and their first sip of success..." (Continue reading below...)
"They will keep you synchronized and amused with tales of their experiences with alcohol. With inspirations such as Slick Rick, LL Cool J, Eric B. and Rakim, and Run DMC, they knew they had all the right flavors... Their name and their songs highlight the times when they just kick it, drinking 40 oz.'s, and making dope drunk beats. The group encourages people not to drive when they drink and chose to title their album "21 and Over." In other words, alcohol is not the end all and be all to Tha Alkaholiks - they simply like to drink and have fun. 'It's tha LIKS baby, it's tha LIKS!'" - Press Kit
"Park Slop's Pumpkinhead has banged around Brooklyn for ages, spitting battle raps and promoting the early '90s hip-hop credo of loop-based beats and hard, witty rhymes. Criticized by fans for being nothing more than a punchline pundit, Pumpkinhead has reinvented himself on his third album, bringing storylines and insights in spades. Attacking snobs in trucker hats and white tees alike, Pumpkinhead doesn't subscribe to any camp's philosophy, criticizing gun talk while still threatening to break your teeth. Buoyed by Marco Polo's consistently dope Beatnut-era beats (thank God somebody is still using rhythmic scratching!), Pumpkinhead shits on military service, praises the grace found in grinding and still finds time for posse cuts. Though Orange Moon has a few potholes (a dumb Napoleon Dynamite skit and a recycled "woman as hip-hop" metaphor), most criticisms seem trivial in the face of songs like "Rock On." A tale of his life laid over a priceless A Silver Mt. Zion sample, its veteran mix of story, insight, failure and faith proves three times is a charm." - CMJ.
For a full copy of the CMJ New Music Monthly (2005) review, see below...
After Ugly Heroes' 2013 classic self titled LP, Apollo Brown, Verbal Kent and Red Pill are back again with a new EP. The new EP features five new songs and 5 bonus track B-sides. All tracks on the EP were produced by Apollo Brown, except "Low Serotonin," which was produced by Oddisee. Murs appears on the standout track to me, "Good Things Die," and we also get cuts by DJ Eclipse on the track "Ugly," which no one would know was originally a beat Eternia had for a project she began in the winter of 2010. It didn't come out so the beat was appropriately used for this Ugly Heroes EP.
Fly Fishing Vol.2 is a dope selection of Chopped Herring Records releases from January 2013 to May 2014. It is nicely mixed by DJ Statik aka Mr. Sonny James, reppin' the Ill Vibe Collective out of Philly. The artwork is handled by Keo aka Lord Scotch who is responsible for MF Doom's Operation Doomsday cover art. Props to the good brother Bill Lipitch, he's got cassettes available (150 copies) at Chopped Herring Records - pick one up and listen to the mix tape below featuring artists like Pauly Yams & DJ Jazz, Zigg Zagg, Endangered Elements, Epidemic, J-Zone, L The Head Toucha, North Bronx Alliance, Finsta Bundy, Da Bruze Brovaz, uMaNg, Masta Ace, Keefy Keef (Keith Murray), Meyhem Lauren, Killa Kidz, Him Lo, Da Henchmen, Natural Elements, Starvin B, MarQ Spekt, and more.
I caught this classic throwback clip on DJ Premier's blog, and thought I'd share it today, along with his caption: "Vintage footage from Video Music Box with the legendary Branford Marsalis in 1990. Classic members of the Gang Starr Foundation are in the clip including Jeru The Damaja, Lil Dap & Melachi The Nutcracker from Group Home, Mike Rone of F.A.B.I.D., Phat Gary, DJ Vic Black and many others posted up with the team. My Gold teeth were in full effect and this brings me back to incredible memories of our great history. Long Live Keith “GURU” Elam and the Gang Starr Legacy!"
"Booty Macks, Pimp Slaps, and Day-Glo Cadillacs: the infamous imagery of '70's baadasssss blaxploitation films has been appropriated by the hip hop nation since the early days of the new school... OutKast have composed the perfect soundtrack to accompany their mack daddy fantasies, and their debut single, "Player's Ball," swaggers like a lethal mixture of Stagolee and Superfly dancing to a wah-wah beat. "With our music, me and Big Boi are trying to bring back the '70s," Andre says in a thick-as-smoke country accent. With a beat that's as smooth as a black '77 Seville with a Tabasco red crushed-velvet interior, "Player's Ball" is just a piece of the larger picture. Their album, Southernplayalisticadillacmuzik, is crude enough to be Afro-kitsch, cool enough to be an Iceberg Slim daydream. "Down South there's lots of players rolling in Cadillacs. We just wanted to put that wild lifestyle on wax," Big Boi explains." Check the visuals to the title track, cont'd below...
"Big Boi, 19, and Andre, 18, first became homeboys when they were students at Atlanta's Tri-Cities High School, a performing arts school that their homegirls Xscape attended. After the OutKast boys hooked up, they began developing their skills in Andre's father's basement. "I had moved in with my Pops 'cause me and my mother were having problems. Then Big Boi moved in with me," Andre says. After performing at talent shows, OutKast began playin' in local clubs. Says Andre, "It was round that time that we met our producers, Organized Noize." (The team - Rico, Ray, and Pat - has also done tracks for TLC.) "We worked on material for a few months, then we were asked to drop some rhymes on L.A. Reid from LaFace Records." Smiling, Big Boi adds, "We dropped some freestyles, then LaFace set up a showcase for us. After doing two more showcases, we were signed." ... "Real recognizes real," says Andre. "L.A. may not know a lot about rap music, but he knows what sounds good." ... 'The vibe in A-T-L is good for making good music'." - Vibe, "Next," (August 1994).
A 91-track, 3 hour long mix of DEMOs from DJ JS-1! I know JS personally, so I know that I'm not gonna be able to explain this any better than he would (nor more entertainingly), so I'll let him tell it .... "For the past year or two I've collected a bunch of demos from many of our favorite hip hop artists. I have a collection of approximately 350 to 400 demos and rare tracks. I narrowed that down to my favorite 100 and made this mix. There are a few things to keep in mind about this new mix: first, these are all demos, many of them from cassette tapes, poorly recorded, duplicated & copied over the years; played on radio shows, etc, so the sound quality is not top notch. The sound is the best it could be considering what this is. Second, when I say demo, I mean that literally ... many of these are actual "demos" in the traditional sense of the first recordings they made to shop for record deals. Others are unreleased songs; some that are not completed, some are songs that have been released but this is the original version or unreleased remix. Some are just very rare unreleased songs that I wouldn't necessarily classify as a "demo." And finally, these are my favorites. This whole mix is worth it just for the unreleased KRS-ONE and DJ PREMIER track that didn't make the Return of the Boom Bap album... I hope you enjoy this and appreciate the history and super-special rare treats hidden in this mix. No matter how "hip hop" you think you are and how cool and knowledgeable you perceive yourself to be, there is ALWAYS more to learn and more treats to find. There are thousands of songs, so dig, dig, dig, and dig some more..." Listen below & props to JS-1.
"Out of the darkness, out the mist of the deep comes the Gravediggaz." The twisted brainchild of producer Prince Paul (the Undertaker), Poetic (the Grym Reaper), Frukwan (the Gatekeeper) and Wu-Tang's Prince Rakeem (RZA the Ryzarector), the Gravediggaz have created an audio horror flick that holds its own with the likes of The Shining and The Exorcist. It may seem like a gimmick, but the macabre concept works. Maybe it's the Undertaker's ridiculously ill beats. On "Diary Of A Madman," he lays ghostly wails over an earthquake bassline. On "Constant Elevation" he pairs a lighthearted piano roll with a bumping bassline. Or maybe it's the beautifully sick rhymes." Cont'd ...
"While ultraviolence is hip-hop's latest bandwagon, few 'hardcore gangstas' can claim lyrics like guest rapper, Shabazz's: "Bear witness, as I exercise my exorcism / The evil that lurks within the sin / The terrorism / Possessed by evil spirits / Voices from the dead / I come forth with Gravediggaz and a head fulla dread / I've been examined since I was semen / They took a sonogram and seen the image of a demon." From Poetic's strung-out quiver, to Frukwan's dusted creep, to the RZA's Shaolin drawl ... the Gravediggaz go beyond gore to provide fat tracks that will rock padded cells and straight jackets from coast-to-coast. And if you think the single stretches the limits of depravity, just wait 'til you hear the album, 6 Feet Deep. Until then, lock your doors and hide the children." - The Source's Sure Shot Singles, August 1994. Original sticker from the Gravediggaz below.
What Goes Around is the sixth studio album by producer Statik Selektah. The album was released via Duck Down Music and his own label, Showoff Records. This latest production album features guest appearances from a truly classic list of MCs, like: Lil' Fame of M.O.P., Joey Bada$$, Freddie Gibbs, Styles P, Talib Kweli, Action Bronson, Royce da 5'9", Black Thought, Snoop Dogg, Dilated Peoples, Ab-Soul, Jon Connor, Logic, Ransom, N.O.R.E., Termanology, Reks, Sheek Louch, Pharoahe Monch, Crooked I, Heltah Skeltah, B-Real, Boldy James, and Posdnuos among others. Listen below...
"Hailing from Jamaica, NY, the members of Organized Konfusion began absorbing a variety of musical influences early - everything from Jazz and gospel to R&B. Price and Monch are from the same South Jamaica neighborhood. They met in 1986 while they were in high school. "Monch, who used to beatbox, was mad popular," recalls Prince. "He asked me about making a tape - as a hobby. But when we listened back to it, we both said it sounded phatter than stuff that was on the radio. We decided to become serious about pursuing a musical career." Pharoahe added, "We call our music medicine because it makes you feel good ... The rap industry is a little sick right now, with so much posing and formatting going on. So, with our songs, we're trying to give new energy to people that are tired of the same ol' shit." Arguably their most popular track was "Stress," which and was inspired by "the gamut of emotions Monch and Prince experienced since 1992, when Organized Konfusion dropped its critically praised and influential debut set. On "Stress: The Extinction Agenda," Pharoahe says "We went through a lot of struggle and hard times... And we're talking about relationships, business dealings ... everything." - via Organized Konfusion's original press kit. Check the video for their single, "Stress," below; one of my favorite songs of all-time. Cont'd below...
"At a certain point, people have to realize that there is hip-hop whose primary purpose isn't to rock clubs or bump jeeps... As much as hip-hop elitists refuse to believe, there is a majority of people who have no idea who Organized Konfusion is. They don't know that Queens' own Pharoahe Monch and Prince Poetry are two of the most respected and acclaimed lyrical scientists in the hip-hop core. They may not remember OK's debut album or their singles "Fudge Pudge" or "Walk In The Sun." And maybe they don't care to find out. But for many others, the second Organized album, "Stress: The Extinction Agenda," has been agonizingly overdue. Even though this album is on another level from the pablum of mainstream music, this guarantees nothing at the cash register. The essence of Organized Konfusion is pure lyricism. More so than any other artists out now, Monch and Prince are masters of words and phrases. On "Bring It On," they become verbal contortionists, creating moving molecules of syllables and sounds, new rhyme flows and sound effects. On "Stress," "Black Sunday" and "Thirteen," the duo no longer experiments with verbal sounds. Instead they use their skills to convey their emotions with lyrics... The power of poetry goes without saying, but musically some of the tracks are very dark, eerie and, at times, too heavy and almost monotonous... But on the brighter second half, you have Buckwild-produced "Why," the ill boogie beat of "3-2-1" and the ridiculously dope bounce track "Let's Organize" (featuring O.C. and Q-Tip).... I can't say this album is for everybody and I can't even say it is the most enjoyable to listen to. But you should buy because it just might expand your mind if you put in the effort." - The Source, September 1994.
The full review from The Source can be read below...
The Stussy x Delicious Vinyl Collection celebrated their 25th Anniversary of the LA-based record label in 2012. The minor label started in the late 80s and became a major figure in the evolution of hip-hop through the early 90s with acts such as The Pharcyde, Masta Ace, Tone Loc, The Whoridas, Young MC and Brand New Heavies. They continue to maintain working relationships with these early artists and also support the next generation of musical talent including Dom Kennedy and Casey Veggies. A couple years later, let's still enjoy this fresh mix by the legendary Pete Rock below...
Dilated Peoples returns with Directors Of Photography, the group's remarkable debut album under the Expansion Team/Rhymesayers Entertainment banner. Evidence, Rakaa (Iriscience) and DJ Babu's new collection demonstrates how the group has been able to remain loyal to its signature sound, style and sentiment while adding new and dramatic artistic wrinkles to its already-extensive musical repertoire. The album features Vince Staples, Aloe Blacc, Oh No, Sick Jacken, Krondon, Fashawn, Rapsody, Domo Gensis, Vinnie Pazz and Action Bronson. The production is mostly handled by Evidence and DJ Babu, but also Alchemist, Twiz The Beat Pro, Jake One, DJ Premier, Diamond D, Oh No, and 9th Wonder. Another great release from one of the most consistent groups in Hip-Hop!
"In 1998 both L-Fudge and Shabaam Sahdeeq released 12" singles on Rawkus Records. Rawkus had been around for a minute, but it was with this era of releases that they really started making some noise (along with Company Flow, Mos Def, Talib Kweli, Sir Menelik, The High & Mighty and others). Here's footage from the Fat Beats NYC in-store celebrating the release of these two singles. Like most FB in-stores, it was never limited to just the advertised artists. In this clip you'll see L-Fudge, Talib Kweli, Shabaam Sahdeeq, Skam2? and A.L. Skills all performing. Shout out to Max Glazer on the wheels although he's unseen." - via DJ Eclipse. Enjoy this rare footage from Fat Beats in '98 below...
Classics on top of classics! The greatest of all-time, DJ Premier, lays down the best of UNDERground hip-hop from 1996 to 1997 with this 4-tape series, "Crooklyn Cuts." The tapes feature tracks from M.O.P., Royal Flush, Ghostface, PMD, East Flatbush Project, Natural Resource, Mr. Voodoo, Sadat X, Al' Tariq, De La Soul, Money Boss Players, Mobb Deep, Nas, G. Dep, The Roots, Adagio!, J-Force, Children of the Corn, Heather B, Paula Perry, Screwball, Camp Lo, Sauce Money, Mic Geronimo, The Roots, Smoothe Da Hustler, A Tribe Called Quest, Ras Kass, Redman, and so much more. These links are directly from the DJ Premier blog, so check out all four mixtapes below...
"Billy Woods & Elucid are Armand Hammer, the NYC rap duo whose 2013 debut, "RACE MUSIC," made waves with its blend of aggressive, experimental production and uncompromising lyrics. Their new EP, Furtive Movements, is both a continuation of, and departure from, their previous work. Fragmented musings of an imagined diaspora. Brooklyn bullshit in the shadow of construction scaffolding. Summer’s dog days set to the hiss of dusty vinyl. Drums wobbling drunkenly over ethereal loops. Elucid and woods hold down the lyrics with only one guest, the effusive Curly Castro, but Furtive Movements features an array of production from Blockhead, Von Pea of Tanya Morgan, Messiah Musik, Steel Tipped Dove and Elucid himself. This is not an addendum to RACE MUSIC but a fully realized project in its own right with its own distinct aesthetic, mood and perspective. The EP will be available digitally and limited-edition transparent orange vinyl." Listen.
"What originally started as a guest feature for Tantu's debut release "Language of Beats," spawned into a project of its own titled "The Soulution." A short but sweet display of Tantu's diverse pallet of sounds and Epidemic's ability to subtly adapt to a producer's style. This project brings a refreshingly modern sound while keeping relative familiarity with the golden era-esque vibe that Epidemic has been known to bring. It features a soulful sound scape with melodies ranging from both uplifting to nostalgic all packed into about 25 minutes. Entirely produced by Tantu, with 5 songs, one instrumental and 2 of the west coast's finest lyricists (The EP features Fashawn and Johaz of Dag Savage), it is something like quick a shot of dope - sure to hold fans over until the next full length release." You can stream Epidemic & Tantu's "The Soulution" EP below, check it out...
Today marks the 20th anniversary of Gravediggaz debut, 6 Feet Deep. This oft-over looked, criminally slept-on album brought together two of Hip Hop's best producers; Prince Paul and RZA. To celebrate the anniversary - UNT teamed up with the good homey Rob at Unkut for a soundclash of sorts. What they did? Each picked 10 RZA Beats and 10 Prince Paul beats and had their main ace The Vinylcologist mix the shit out of them in a friendly challenge to be voted on by you - the fans. Head over to Soundcloud to peep the full trackless and feel free to comment with your selections...
Debonair P is a Melbourne-based DJ, producer, engineer and label owner (Gentleman's Relief Records). He put together a nice blend of underground hip-hop tracks from the 90s, cycling through dozens of tracks in around 80 minutes. You'll hear joints from Jeru The Damaja, O.C., Lord Finesse, Juggaknots, Brand Nubian, Boogiemonsters, Big L, J-Live, Common, RA The Rugged Man, Masta Ace, The Beatnuts, Smif-N-Wessun, Pete Rock, Diamond D, El Da Sensei, Kurious, Royal Flush, Akrobatik, Heltah Skeltah, Black Moon, A Tribe Called Quest, Pharoahe Monch and so much more.
As of 2010 - when this mini-documentary was released - the 9 years prior Chi Ali was an inmate at Sing Sing Correctional Facility in Ossining, NY home. In 2000, he killed his former girlfriend’s brother and was captured a year later after being featured on America’s Most Wanted. This mini-documentary was shot sometime around 2009, and while it tells the story of a young kid who made a mistake, he's since paid his debt to the state and has been a free man since 2012. I met Chi-Ali in Atlanta some years back, I'm thinking it was October of 2012? I remember because the Skyzoo track "Jansport Strings" was out paying homage to Chi-Ali & fresh out on parole, Chi-Ali jumped on the Remix. A couple months after that, he was on a joint with Fat Joe called "Games & Things" too. If you believe in rehabilitation or redemption at all, you've gotta believe a full life is still ahead of that man, so I'm sure another documentary or at least an updated one will be done sooner or later.
"Chi Ali was the youngest member of The Native Tongues that included De La Soul, A Tribe Called Quest, The Jungle Brothers, The Beatnuts & more. He started rapping when he was 14, making guest appearances on songs by Black Sheep and De La Soul. His one and only album "The Fabulous Chi Ali" came out in 1992 when he was 16, and became an instant classic of the Golden Era. In 2000, he committed the crime of murdering his girlfriend's brother. He was on the run until he was caught and arrested in 2001 and began serving a 14-year sentence for the offense. He will be released in two years." Chi-Ali shares, "You don't wanna come to jail ... I mean ... it's like a whole other world." Heed the warning, and watch the rest of the mini-documentary below to hear his early story.
"Here's a clip from Common's Fat Beats NYC in-store for "One Day It'll All Make Sense". The in-store was actually a few days before the album was released so we only had his single for sale that day. We were also pushing No I.D.'s "The Black Album" (w/Dug Infinite) which had come out early that week. This Common album was the last time that No I.D. and Com would do an album together until 2011. Like most in-stores at Fat Beats it was never limited to just the artist who's in-store it was. Many times other artists would pop in and perform and on this day Lord Sear (Stretch & Bobbito/Shade 45) had stopped by and got on the mic with Common. Shout out to Mista Sinista from the X-Men/X-Ecutioners who not only did all the scratches on Common's earlier albums, but was present this day to provide the music. In fact, his album "X-Pressions" with the rest of The X-Ecutioners had dropped earlier that week as well." Watch the video below. Props to DJ Eclipse.
The latest episode of the #1 podcast, the Combat Jack Show, features the Queens veteran Cormega. In stark contrast to every trend and negative stereotype plaguing our culture, Cormega & Large Professor have stepped up to release a golden era album in 2014 with their latest effort "Mega Philosophy." Cormega has stepped into the role of street poet & reinvented his career with the same formula that got him on; he's just stayed on a consistent and positive path to get it done, independently. On the production is Large Professor, who is a humble giant in the music industry; he's the guy behind the guy for many of hip-hop's most impressive collaborations & has done it all without changing his slang, his roots or his unique perspective; a man of true loyalty. Cormega walks listeners through a track by track of "Mega Philosophy," get a proper listen to the interview below!
"With all the talk about live instruments in hip-hop, there has yet to be a group that truly captures the gritty excitement of real rap using live players. Too often, "unplugged" rap sounds too wimpy and too disconnected from the dirty, mechanical funk we hip-hop heads expect. Well, hold down your samplers, because a crew from Philadelphia is tryin' to change all that. Make way for The Roots. Sporting a four-piece band, a funky drummer and two skilled MCs, The Roots are definitely on some next shit. Their sensibility and approach is based in true hip-hop, so on a certain level ther sound is the same as any good rap group. But since the drums, bass and moody keys are live, the familiar hip-hop terrain is charged with a mellow funk energy." Check out "Distortion to Static" below...
"The A-side brings a head-snappin' beat punctuated by sharp drum blasts, with the slow-but-strong pacing of a Black Moon or Crooklyn Dodgers. Behind the music, the sound of record static is laid, and sometimes the beat drops so that lyrics are dropped on top of that friction. Lead MC Black Thought weaves complex rhymes around the track, making the flow sound like a rat-tat-tat-tat of rhyming syllables. The subject matter is abstract, but the word choices are intelligent. They're the kind of rhymes thick with double-meanings that take more than a few listens to fully decipher. MC Malik B makes only an intentionally brief, funny appearance on this cut... It appears that in one swoop, The Roots have accomplished two difficult tasks: putting Philadelphia back on the hip-hop map and creating an "alternative" take on rap that's really worth a listen." - The Source, 8/94.
"Capone and Noreaga, the Queensbridge stick-up kids who introduced their skills on "L.A., L.A.," return with their first joint for dolo, "Stick You," an epic saga of a drug deal gone bad and the fatal consequences suffered by the Dominican drug lord who double crosses the C&N Crew. The track starts off with an ominous sounding rainstorm in the background, as Capone and Noreaga (plus special guest MC Tragedy) discover that the product they've bought off their supplier is less than dope. The rain continues as a drum track kicks in and then a sparse piano loop sets the tone for some tales from the criminal side." Hear the 2nd single from "The War Report" below, con'td below...
"From the simple piano loop to the chant that ends the song - "Not your ordinary shit / Thug shit that you're used to / Q.U. / We stick you" - "Stick You" has an undeniable Mobb Deep influence. MCs Capone and Noreaga have obviously studied their Queensbridge predecessors and now want to follow in their footsteps. "Stick You" is a step in this direction, another dose of those patented criminology rhymes that put their section back on the map." - The Source (August, 1996). (Updated)
"Stretching our earlobes over to the West Coast, this month takes us to San Francisco Bay Area. Boasting one of the most booming underground hip-hop scenes in the country, the Bay Area is far too often slept on by other regions. Artists like Ice Cube's cousin, Del tha Funke Homosapien, have helped Frisco start to earn respect in New York, but what many kids don't know yet is that there's more where that came from. Hailing directly from Oakland, Saafir The Saucee Nomad rolls strapped with solid beats and fortified lyrics for any region he might stumble upon. Saafir strikes a fine balance in his delivery between a Too Short pimp sound and a more friendly Del appeal with that Hieroglyphic lyrical lean. Produced on an in-house 4-track by The Seven, the tracks blend East Coast jazz flavor with that thick West Coast funk." Artwork for his demo and more, cont'd below...
"After an ill violin intro Saafir sets it off with "It''s A Pimp Thang," flippin' lyrics like: "Go to hell 'cause I don't play / You say you're dope but on a scale you don't even weigh / Talkin' about a motherf#ckin shotgun / But when it comes to hearts, brothas ain't got none." The next jam "Mark" is some 'ole slow funky Biz type shit. A 'mark' is what they call a sucker out west. The last jam, "Prime Time After Seven," freaks some crazy jazz pianos with a sample of CL Smooth's "Ready or not prime time after seven" from Mecca and the Soul Brother as a hook. Let's hope the Saucee Nomad finds his way to a record deal." - The Source, August '92. Bonus, Saafir's demo tape below...
In August, 1996, Puff Daddy took out a full page ad in VIBE. The ad pictured above was an open letter addressing the rivalry between Bad Boy and Death Row Records. It was ultimately an attempt to quell tensions and dismiss the (false) narrative that there was a war between the East and the West Coast. The letter says, "While it may be true that there exists a creative battle between East Coast and West Coast music culture, in my mind, anyone promoting an angry war between the coasts or promoting wrong information is simply not for the cause of hip-hop." Feeling that his label had been victim to such misinformation, he adds, "This negative perception that has been perpetuated for the masses will not get in the way of my vision. Any animosity that has occurred between Bad Boy and Death Row should not be a catalyst for East Coast-West Coast rivalry... It is no secret that we compete musically. We are both struggling to be power brokers in an industry where black men do not comprise the majority of decision makers. But it is also true that no coast should have a monopoly on hip-hop music ... My dream will not be deferred by deadly rumors and falsified information. I cannot stand by and watch hip-hop culture disintegrate or be deemed as "dangerous" or "temporary." Bad Boy, a musical operation founded on merit, diligence, and integrity will not be misrepresented or fictionalized." In closing, Puff adds "...the music will speak for itself and will always be based on artistic merit. A loose tongue ultimately has an empty mouth." We could estimate this letter was written roughly 2 months before 2Pac was shot and killed (9/13/96). The September 1996 cover of Vibe Mag featured B.I.G. and Puff with the words East vs. West! R.I.P.
"Although this is their first album, Da King & I aren't at all new to this. Under the name of Izzy Ice and DJ Majesty, they released the slammin' "Soul Man" back in '89. A Jive Records album was supposed to follow, but it was never released. Now years later, these East Flatbush, Brooklyn brothers have returned to the set armed with an impressive offering. The first single "Flip Da Scrip" created a lil' buzz, but the follow-up "Krak Da Weasel" should attract the masses. The album's twelve tracks and various interludes show why this group should not be placed in the hip-hop "here today, gone tomorrow" file. Whether on hardcore tracks like "Mr. All That" and "Ghetto Instinct," or the smoothe-paced "Tears," Da King & I represent up to par vocals and fly jeep bound production. But remember - if ya 'snooz ya lose!" - The Source (August, 1993) My favorite track on the album is "Tears," and especially the bonus remix included on the single release. Watch the video below...
